Saturday, February 27, 2010

Modern culture

Since the late Soviet times Russia has experienced another wave of Western cultural influence, which led to the development of many previously unknown phenomena in the Russian culture. Russia easily has adopted a number of cultural techniques, while providing its own content.

The most vivid example, perhaps, is the Russian rock music, which takes its roots both in the Western rock and roll and heavy metal, and in traditions of the Russian bards of Soviet era, like Vladimir Vysotsky and Bulat Okudzhava. Saint-Petersburg (former Leningrad), Yekaterinburg and Omsk became the main centers of development of the rock music. Popular Russian rock groups include Mashina Vremeni, DDT, Aquarium, Alisa, Kino, Nautilus Pompilius, Aria, Grazhdanskaya Oborona, Splean and Korol i Shut.

At the same time Russian pop music developed from what was known in the Soviet times as estrada into full-fledged industry, with some performers gaining international recognition, like t.A.T.u. in the West or Vitas in China. Lubeh is a very popular and unique group, harmoniously combining the elements of Western rock and roll, traditional Russian folk music and military bard music, featuring a number of rock attributes but often performing on the pop scenes.

In the past decades many new sporting activities came into Russia, including cheerleading, auto racing, snowboarding and skateboarding. Many subcultures became popular among Russian youth, like rappers, Goths, Emo, Anime fans and Live action role-playing gamers. Russian Internet, orRunet, has seen a rapid development in the last years and the rize of a variety of Internet subcultures.

While in the industrialized nations of the West, motion pictures had first been accepted as a form of cheap recreation and leisure for the working class, Russian filmmaking came to prominence following the 1917 revolution when it explored editing as the primary mode of cinematic expression.[240] Russian and later Soviet cinema was a hotbed of invention in the period immediately following the 1917, resulting in world-renowned films such as Battleship Potemkin.[241] Soviet-era filmmakers, most notably Sergei Eisenstein and Andrei Tarkovsky, would become some of the world's most innovative and influential directors.

Eisenstein was a student of filmmaker and theorist Lev Kuleshov, who developed the groundbreaking Soviet montage theory of film editing at the world's first film school, the All-Union Institute of Cinematography. Dziga Vertov, whose kino-glaz (“film-eye”) theory—that the camera, like the human eye, is best used to explore real life—had a huge impact on the development of documentary film making and cinema realism. In 1932, Stalin made socialist realism the state policy; this somewhat limited creativity, however many Soviet films in this style were artistically successful, like Chapaev, The Cranes Are Flying, and Ballad of a Soldier.[241]

1960s and 1970s saw a greater variety of artistic styles in the Soviet cinema. Eldar Ryazanov's and Leonid Gaidai's comedies of that time were immensely popular, with many of the catch phrases still in use today. In 1961-1968 Sergey Bondarchuk directed an Oscar-winning film adaptation of Tolstoy's epic War and Peace, which was the most expensive film ever made.[242] In 1969, Vladimir Motyl's White Sun of the Desert was released, a very popular film in a genre known as 'osterns'; the film is traditionally watched by cosmonauts before any trip into space.[243]

The famous Odessa Steps scene from the The Battleship Potemkin, 1925.

Russia also has a long and rich tradition of animation, which started already in the late Russian Empire times. Most of Russia's cartoon production for cinema and television was created during Soviet times, when Soyuzmultfilm studio was the largest animation producer. Soviet animators developed a great and unmatched variety of pioneering techniques and aesthetic styles, with prominent directors including Ivan Ivanov-Vano, Fyodor Khitruk and Aleksandr Tatarskiy. Soviet cartoons are still a source for many popular catch phrases, while such cartoon heroes as Russian-styleWinnie-the-Pooh, cute little Cheburashka, Wolf and Hare from Nu, Pogodi! being iconic images in Russia and many surrounding countries.

The late 1980s and 1990s were a period of crisis in Russian cinema and animation. Although Russian filmmakers became free to express themselves, state subsidies were drastically reduced, resulting in fewer films produced. The early years of the 21st century have brought increased viewership and subsequent prosperity to the industry on the back of the economy's rapid development, and production levels are already higher than in Britain and Germany.[244] Russia's total box-office revenue in 2007 was $565 million, up 37% from the previous year[245] (by comparison, in 1996 revenues stood at $6 million).[244] Russian cinema continues to receive international recognition. Russian Ark (2002) was the first feature film ever to be shot in a single take. The traditions of Soviet animation were developed in the past decade by such directors as Aleksandr Petrov and studios like Melnitsa.

Russia was among the first countries to introduce radio and television. Due to the enormous size of the country Russia leads in the number of TV broadcast stations and repeaters. There were few channels in the Soviet time, but in the past two decades many new state-run and private-owned radio stations and TV channels appeared. In 2005 a state-run English languageRussia Today TV started broadcasting, and its Arabic version Rusiya Al-Yaum was launched in 2007.

Russian literature is considered to be among the most influential and developed in the world, contributing many of the world's most famous literary works.[236] Russia's literary history dates back to the 10th century; in the 18th century its development was boosted by the works of Mikhail Lomonosov and Denis Fonvizin, and by the early 19th century a modern native tradition had emerged, producing some of the greatest writers of all time. This period and the Golden Age of Russian Poetry began withAlexander Pushkin, considered to be the founder of modern Russian literature and often described as the "Russian Shakespeare".[237]

It continued in the 19th century with the poetry of Mikhail Lermontov and Nikolay Nekrasov, dramas of Aleksandr Ostrovsky andAnton Chekhov, and the prose of Nikolai Gogol, Ivan Turgenev, Leo Tolstoy, Fyodor Dostoevsky, Mikhail Saltykov-Shchedrin, Ivan Goncharov, Aleksey Pisemsky and Nikolai Leskov. Tolstoy and Dostoevsky in particular were titanic figures to the point that many literary critics have described one or the other as the greatest novelist ever.[238][239]

By the 1880s Russian literature had begun to change. The age of the great novelists was over and short fiction and poetry became the dominant genres of Russian literature for the next several decades which became known as the Silver Age of Russian Poetry. Previously dominated by realism, Russian literature came under strong influence of Symbolism in the years between 1893 and 1914. Leading writers of this age include Valery Bryusov, Andrei Bely, Vyacheslav Ivanov, Aleksandr Blok, Nikolay Gumilev,Dmitry Merezhkovsky, Fyodor Sologub, Anna Akhmatova, Osip Mandelstam, Marina Tsvetaeva, Leonid Andreyev, Ivan Bunin, andMaxim Gorky.

Some Russian writers, like Tolstoy and Dostoyevsky, are known also as philosophers, while many more authors are known primarily for their philosophical works. Russian philosophy blossomed since the 19th century, when it was defined initially by the opposition of Westernizers, advocating Russia's following the Western political and economical models, and Slavophiles, insisting on developing Russia as unique civilization.

The latter group includes Nikolai Danilevsky and Konstantin Leontiev, the early founders of eurasianism. In its further development, Russian philosophy was always marked by deep connection to literature and interest in creativity, society, politics and nationalism; cosmos and religion were other primary subjects. Notable philosopheres of the late 19th and early 20th centuries include Vladimir Solovyev, Sergei Bulgakov, Pavel Florensky and Vladimir Vernadsky. In the 20th century Russian philosophy became dominated by Marxism.

Following the Russian Revolution of 1917 and the ensuing civil war, Russian cultural life was left in chaos. Some prominent writers and philosophers, like Ivan Bunin, Vladimir Nabokov, Lev Shestov, Isaiah Berlin, Alexandre Kojève left the country, while a new generation of talented writers joined together in different organizations with the aim of creating a new and distinctive working-class culture appropriate for the new state, the Soviet Union.

Throughout the 1920s writers enjoyed broad tolerance. In the 1930s censorship over literature was tightened in line with Joseph Stalin's policy of socialist realism. After his death the restrictions on literature were eased, and by the 1970s and 1980s, writers were increasingly ignoring the official guidelines. The leading authors of the Soviet era included Yevgeny Zamiatin, Isaac Babel, Vladimir Mayakovsky, Ilf and Petrov, Yury Olesha, Mikhail Bulgakov, Boris Pasternak,Mikhail Sholokhov, Aleksandr Solzhenitsyn, Yevgeny Yevtushenko, and Andrey Voznesensky.

Music in 19th century Russia was defined by the tension between classical composer Mikhail Glinka along with his followers, who embraced Russian national identity and added religious and folk elements to their compositions, and the Russian Musical Societyled by composers Anton and Nikolay Rubinstein, which was musically conservative. The later Romantic tradition of Tchaikovsky, one of the greatest composers of the Romantic era, whose music has come to be known and loved for its distinctly Russian character as well as its rich harmonies and stirring melodies, was brought into the 20th century by Sergei Rachmaninoff, one of the last great champions of the Romantic style of European classical music.[230]

World-renowned composers of the 20th century included Scriabin, Stravinsky, Rachmaninoff, Prokofiev, Shostakovich andSviridov. During most of the Soviet Era, music was highly scrutinized and kept within a conservative, accessible idiom in conformity with the policy of socialist realism.

Soviet and Russian conservatories have turned out generations of world-renowned soloists. Among the best known are violinistsDavid Oistrakh and Gidon Kremer; cellist Mstislav Rostropovich; pianists Vladimir Horowitz, Sviatoslav Richter, and Emil Gilels; and vocalists Fyodor Shalyapin, Galina Vishnevskaya, Anna Netrebko and Dmitry Hvorostovsky.[231]

During the early 20th century, Russian ballet dancers Anna Pavlova and Vaslav Nijinsky rose to fame, and impresario Sergei Diaghilev and his Ballets Russes' travels abroad profoundly influenced the development of dance worldwide.[232] Soviet ballet preserved the perfected 19th century traditions,[233] and the Soviet Union's choreography schools produced one internationally famous star after another, including Maya Plisetskaya, Rudolf Nureyev, and Mikhail Baryshnikov. The Bolshoi Ballet in Moscow and the Mariinsky in Saint Petersburg remain famous throughout the world.[234]

Early Russian painting focused on icon painting and vibrant frescos inherited by Russians from Byzantium. As Moscow rose to power, Theophanes the Greek and Andrei Rublev became vital names associated with the beginning of a distinctly Russian art.

The Russian Academy of Arts was created in 1757, aimed to give Russian artists an international role and status. Notable portrait painters from the Academy include Ivan Argunov, Fyodor Rokotov, Dmitry Levitzky, and Vladimir Borovikovsky. In the early 19th century, when neoclassicism andromantism flourished, famous academic artists focused on mythological and Biblical themes, like Karl Briullov and Alexander Ivanov.

Rus': The Soul of the People by Mikhail Nesterov, symbolic of Russia's historical spiritual quest.

Realism came into dominance in the 19th century. The realists captured Russian identity in landscapes of wide rivers, forests, and birch clearings, as well as vigorous genre scenes and robust portraits of their contemporaries. Other artists focused on social criticism, showing the conditions of the poor and caricaturing authority; critical realism flourished under the reign ofAlexander II, with some artists making the circle of human suffering their main theme. Others focused on depicting dramatic moments in Russian history.

The Peredvizhniki (wanderers) group of artists broke with Russian Academy and initiated a school of art liberated from Academic restrictions. Leading realists include Ivan Shishkin, Arkhip Kuindzhi,Ivan Kramskoi, Vasily Polenov, Isaac Levitan, Vasily Surikov, Viktor Vasnetsov, and Ilya Repin.

By the turn of the 20th century and on, many Russian artists developed their own vividly unique styles, neither realist nor avante-garde. These include Boris Kustodiev, Kuzma Petrov-Vodkin, Mikhail Vrubel and Nicholas Roerich.

The Amber Room. German-Russian masterpiece, looted by Nazi Germany in World War II and restored in 2003.

The Russian avant-garde is an umbrella term used to define the large, influential wave of modernist art that flourished in Russia from approximately 1890 to 1930. The term covers many separate, but inextricably related, art movements that occurred at the time; namely neo-primitivism, suprematism,constructivism, rayonism, and futurism. Notable artists from this era include El Lissitzky, Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin,Alexander Rodchenko, and Marc Chagall. The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the revolutionary ideas of the avant-garde clashed with the newly emerged conservative direction of socialist realism.

In the Soviet era many artists combined innovation with socialist realism including Ernst Neizvestny, Ilya Kabakov, Mikhail Shemyakin, Erik Bulatov, andVera Mukhina. They employed techniques as varied as primitivism, hyperrealism, grotesque, and abstraction. Soviet artists produced works that were furiously patriotic and anti-fascist in the 1940s. After the Great Patriotic War Soviet sculptors made multiple monuments to the war dead, marked by a great restrained solemnity.

In the 20th century many Russian artists made their careers in Western Europe, forced to emigrate by the Revolution. Wassily Kandinsky, Marc Chagall, Naum Gabo and others spread their work, ideas, and the impact of Russian art globally.

Russian architecture began with the woodcraft buildings of ancient Slavs. Since Christianization of Kievan Rus' for several ages Russian architecture was influenced predominantly by the Byzantine architecture, until the Fall of Constantinople. Apart from fortifications (kremlins), the main stone buildings of ancient Rus' were Orthodox churches, with their many domes, often gilded or brightly painted. Aristotle Fioravanti and other Italian architects brought Renaissance trends into Russia.

The 16th century saw the development of unique tent-like churches culminating in Saint Basil's Cathedral. By that time the onion dome design was also fully developed. In the 17th century, the "fiery style" of ornamentation flourished in Moscow and Yaroslavl, gradually paving the way for the Naryshkin baroque of the 1690s. After Peter the Great reforms had made Russia much closer to Western culture, the change of the architectural styles in Russia generally followed that of Western Europe.

Wooden churches of Kizhi, aUNESCO World Heritage Site.
Triumph Palace, Europe's tallest residential building, is a modern realisation of Stalin Empire Styleskyscrapers' design.

The 18th-century taste for rococo architecture led to the splendid works of Bartolomeo Rastrelli and his followers. During the reign of Catherine the Great and her grandson Alexander I, the city of Saint Petersburg was transformed into an outdoor museum of Neoclassical architecture.

The second half of the 19th century was dominated by the Byzantine and Russian Revival style (this corresponds toGothic Revival in Western Europe). Prevalent styles of the 20th century were the Art Nouveau (Fyodor Shekhtel),Constructivism (Aleksey Shchusev and Konstantin Melnikov), and the Stalin Empire style (Boris Iofan).

After Stalin's death a new Soviet leader, Nikita Khruschev, condemned the "excesses" of the former architectural styles, and in the late Soviet era the architecture of the country was dominated by plain functionalism. This helped somewhat to resolve the housing problem, but created a large quantity of buildings of low architectural quality, much in contrast with the previous bright architecture. After the end of the Soviet Union the situation improved. Many churches demolished in Soviet times were rebuilt, and this process continues along with the restoration of various historical buildings destroyed in World War II. As for the original architecture, there is no longer any common style in modern Russia, though International style has a great influence.

There are over 160 different ethnic groups and indigenous peoples in Russia. Ethnic Russians with their Slavic Orthodox culture, Tatars and Bashkirswith their Turkic Muslim culture, Buddhist nomadic Buryats and Kalmyks, Shamanistic peoples of the Far North and Siberia, highlanders of theNorthern Caucasus, Finno-Ugric peoples of the Russian North West and Volga Region all contribute to diverse and rich culture of Russia. The ethnic culture is preserved in various museums and ethno-parks, reproduced in cuisine, architecture, cinema and arts, and developed by folk bands, dance ensembles and choirs.

Woodcraft Russian architecture, widely associated with the ethnic culture, is at best represented in wooden churches. Russian traditional wooden dwelling is izba, while the early type of fortified settlements is known as kremlin. Handicraft, like gzhel, khokhloma, pisanka and palekh, is also associated with folk culture. Ethnic Russian clothes include kaftan, kosovorotka and ushanka for men, sarafan and kokoshnik for women, with lapti and valenki as common shoes. TheCossacks of Southern Russia have a separate brand of culture within ethnic Russian, their clothes including burka and papaha, which they share with the peoples of the Northern Caucasus.

Preparation of pelmeni, a common Russian dish of Tatar origin (the word itself is fromKomi and Mansi languages). Khokhloma handicraft is seen on the background.

Russian cuisine widely uses fish, poultry, mushrooms, berries, and honey. Crops of rye, wheat, barley, andmillet provide the ingredients for a plethora of breads, pancakes, cereals, kvass, beer, and vodka. Black bread is relatively more popular in Russia if compared with the rest of the world. Flavourful soups and stews include shchi, borsch, ukha, solyanka and okroshka.

Smetana (a heavy sour cream) is often added to soups and salads. Pirozhki, blini and syrniki are native types of pankakes. Cutlets (like Chicken Kiev), pelmeni and shashlyk are popular meat dishes, the last two being of Tatar and Caucasus origin respectively. Popular salads include Russian salad, vinaigrette andDressed Herring.

Russians have many traditions, most prominent being the washing in banya, a hot steam bath somewhat similar to sauna. Old Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are another important part of Slavic mythology. The oldest bylinas of Kievan cycle were actually recorded mostly in the Russian North, especially in Karelia, where most of the Finnish national epic Kalevala was recorded as well.